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by Professor Walter Perera,
Peradeniya University, Sri Lanka
o produce a novel
that includes personalities from recent history is a perilous exercise that has been the nadir of some famous writers. R.K.
Narayan’s Waiting for Mahatma, for instance, is regarded as a failure by some because Mahatma Gandhi appears
as a character and readers often contrast the well documented actions and mannerisms of Gandhi with his representative in
the novel. How much more fraught would it be, then, for a writer to not only characterize in fiction politicians
like S.W.R.D. Bandaranaike whose political machinations are still remembered by senior citizens of Sri Lanka but also to intersperse
“real” historical incidents with imagined events, have demons interact with humans, and to bring to life the women
depicted in the Sigiriya frescoes and have them engage in chat with each other and king Kasyapa? T. Thurai takes such enormous
risks with her monster of a novel and yet emerges with one that has captured the turbulent times of Bandaranaike’s premiership
like few others.
Crucial to the action is Hooniyam who in this novel
is an amalgam of demi-god, demon, sorcerer, and trickster figure. Hooniyam’s creating mayhem in Sri Lanka during the
ethnic riots of 1958 is a mere preamble to his taking control of the universe (a project which fails) but his wishes are mirrored
by his many devotees including Bandaranaike who is not averse to using the demon’s support to achieve his political
ambitions without fully understanding, or worrying about, the repercussions of such action. While the questionable, or sometimes
dastardly, actions of Bandaranaike and others are never condoned, the novel suggests that once Hooniyam has unleashed chaos
there is little that mortals can do to reverse the trend.
Thurai has done considerable
research on the socio-historical political situation of the time in creating this piece of fiction. To
mention just two, the machinations between cabinet minister Vimala Wijewardene and Buddharakkita, the chief incumbent
of the Kelaniya temple, to first support and then sabotage Bandaranaike’s rule for a cluster of reasons are deftly
rendered. Equally convincing, though enervated occasionally by repetition of similar scenes, are depictions of the violence
perpetrated against the Tamil population in particular during the riots of 1958.
The Devil Dancers, the political and the personal are interwoven seamlessly. A major criticism levelled at pioneering
writer James Goonewardene’s novels like The Call of the Kirala and A Quiet Place is that they present
stereotypical situations in which people from the town, dissatisfied with life therein, find solace and satisfaction in the
arms of an “untainted” village belle. Such accusations cannot be levelled at Thurai’s creation because her
character’s acculturation with the village is gradual, includes many challenges and reversals, and is not confined to
In the initial sections,
however, politics is very much an undertone. A love triangle is the fulcrum of the novel and its delineation
effectively pre-empts those critics who may try to read this as a pot-boiler. Thurai shows consummate skill
in examining the motivations of individual characters and their interactions with others.
Thurai has captured a turbulent
epoch in Sri Lanka’s history, an epoch that changed the dynamics in the island, especially those between the Sinhala
and Tamil communities, with verve, compassion, and in considerable detail. The Devil Dancers is
also a cautionary tale about the dangers of political expediency and the propagation of extremist agendas. Although
a tragic novel in many ways, the work is relieved by moments of humour which are often associated with the caprices of the
Sigiriya maidens and (ironically) some of the antics of Hooniyam who is also the architect of the chaos and tragedy.
A reviewer cannot do justice to
this multi-focal novel with its many intricacies in a short appraisal. What is incumbent on him/her, however, is to inform
those intending to take on The Devil Dancers that it requires a patient reader—the 820 page work is not one
that can be completed in one sitting. S/he should add that this absorbing narrative will also transform
the patient reader into an informed reader on a momentous period in the history of the island nation.
Senior Professor in English
University of Peradeniya, Sri Lanka
Biographical note: Senath Walter Perera obtained his MA and PhD from the University of New Brunswick, Canada, and is
Senior Professor at the Department of English, University of Peradeniya. Perera is the recipient of several Commonwealth and
Fulbright awards and has served as Chair of the Commonwealth Writers Prize (Eurasia).
He was an Articles Editor for Postcolonial
Text, Editor of The Sri Lanka Journal of the Humanities for sixteen years and on the inaugural Advisory Committee of the DSC
Prize for South Asian Literature.
He is currently the Bibliography Representative in Sri Lanka for The Journal
of Commonwealth Literature and the Chair of Sri Lanka Association for Commonwealth Literature and Language Studies. Professor Perera also serves
on the Gratiaen Trust which administers the Gratiaen Prize instituted by Michael Ondaatje to promote English creative writing
in Sri Lanka.
from T. Thurai's interview at the Folkestone Book Festival 2012
Here is a 2-minute
video clip of the curator's comments about The Devil Dancers at the Folkestone Book Festival 2012.
|Click on the image to view the clip on You Tube
The full interview of T. Thurai is also available on You
Tube as 3 separate clips. These include readings from the book followed by a Q&A session.
More independent reviews below........
|Click on Logo for Reviewer's site
Midwest Book Review
- Book Reviews, Book Lover Resources, Advice for Writers and Publishers
By Diane Donovan, West Coast Editor MBR
Ceylon in the mid-1950s was a pivotal
time, with forces erupting that would challenge and change the country's direction, ultimately creating a 25-year civil
war that would become a way of life for many. While The Devil Dancers is a historical novel about these events, it's replete
with cultural and political observations grounded in fact, and will prove a rich read for any interested in complex, detailed
Fictional characters interact freely with figures from historical record, the motivations and failings of
a range of protagonists are included in descriptions filled with psychological and social insights, and T. Thurai's writing
imparts information deftly in a manner that assumes no prior familiarity with Ceylonese culture or history
theme of a nation being slowly reborn is carried through each protagonist, who finds himself or herself reborn in the transformative
process of a nation inching towards new options.
How such deep wounds heal and how such deep rifts eventually
result in the reunification of individuals, community and country lends to a powerful saga of love, violence, and perseverance,
recommended for any lending library strong in historical fiction.
click to download PDF of full MBR review
|Click on Logo for Reviewer's site
EXTRACT from the review in The Law Society Gazette by David R. Pickup (Partner,
Pickup & Scott, Aylesbury)
The story of Ceylon's
emergence as an independent nation is less well known than its larger neighbours that form the Indian subcontinent. This book
is set in the 1950s and covers post British rule and the resulting ethnic and political tensions. The Devil Dancers shows
what a lawyer, who can write, can do with some imagination and legal training. It reads more like a Shakespearean tragedy.
It will appeal to anyone who enjoys A Passage to India or The Raj Quartet. But unlike them it is not about the British
in India or about the British sense of class, as no British characters appear in the book. It is written entirely from the
The book also contains deities or spirits that become active characters in the story. This is alien
to most of us. The way gods and idols come to life and mischievously interfere in human events is not something that we are
familiar with. The gods and deities seem to mirror, if not cause, the jealousies and antagonisms the human characters have.
The author, T Thurai, studied as a historian before working as a journalist for 10 years. She then re-trained as a lawyer
and worked in a number of large London firms...In that role she developed her writing and research skills, which was crucial
to unearth the political story behind this book. Her legal training is obvious in the research and the drama gleaned from
This enjoyable work brings a neglected period alive. I look forward to her next books.
click here to download PDF of Law Society Review
|Click on Logo for Reviewer's site
EXTRACT from the KIRKUS
This magical-realist novel features Faustian pacts and forbidden love in its depiction
of the circumstances feeding into the Sri Lankan civil war.
debut teems with characters navigating the social, political and spiritual realities of 1950s Ceylon, in what is now Sri Lanka.
Arjun Kumaran, an assistant to a local government agent, arrives at his new home with the Chelvam family. Despite her marriage
to Raj, it's not long before Neleni Chelvam falls head over heels for Arjun. But otherworldly circumstances intensify
alongside their romance: Followers of the demon Hooniyam aim to conspire against the power of local Tamils. While Arjun is
out investigating the weak progress of a government road project, the conspirators target him and others because of their
Tamil background. Asoka, the penitent second protagonist, flees the violence that Hooniyam and his minions perpetrate. From
here, a wealth of stories emerge ...
Thurai's lengthy novel is more realistic than magical, as she evokes mythos
without letting magic overwhelm the humanity of the narrative. Hooniyam, the horrific demon, is one of only a few nonhumans
that pop up, and the bulk of the intersecting stories develop out of human emotion and real cultural rifts in historical Ceylon.
Thurai's work may divide readers with deep connections to Sri Lankan politics, but her empathy helps bridge the
fissure between the Sinhalese and Tamil people. Amid powerful insight into post-colonial politics and the beginnings of Sri
Lanka's violent war, the author only condemns the violence that erupts out of the cultural and political conflict, not
the nonpartisan life decisions the citizens on either side of the conflict must make.
Sultry romance, tense politicking and colorful mythmaking combine for a broad,
find out more about the places and historical background behind The Devil Dancers, please visit the UNESCO site
The author writes a regular blog. Click on the icon to go
to her blog pages.
T. Thurai was interviewed, live on-air, by Pat Marsh during his show for
BBC Radio Kent. Click on the link below to listen:
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